Is music education important enough to keep in the curriculum?
Criteria:
1. What is the importance of music to human survival? What does survival
mean in the context of Maslow's hierarchy of human actualization?
2. Does music education contribute to content areas being tested?
3. Do we have the right music education?
4. Are students interested in music?
1. Music and survival
My judgment based on this criterion depends on which definition of
survival educators choose to use. If survival simply refers to hunting
for food, defense against enemies, and building shelter against the elements,
then tooting "whistle while you work" in the midst of a rock or sword fight
would probably not have given the competitor much of an edge. By this line
of evolutionary thinking, human interest and practice in music should have
become extinct or be poorly distributed and practiced. Yet, it hasn't.
The practice of music goes back as far as recorded history in every culture
known to us. Is music then just a form of evolutionary cheesecake that
is appreciated as mere entertainment but not really essential to a well
balanced meal? A more in-depth answer requires a deeper examination of
the potential of being human. Maslow's theory of self-actualization raise
the definition of human beyond that of animalistic survival to consider
additional stages of human growth: Biological / Physiological Needs;
Security / Safety Needs; Social (Love, Affection and Belongingness) Needs;
Ego / Esteem Needs; Self-actualization or Fulfillment. "Each level of the
pyramid is dependent on the previous level. For example, a person does
not feel the second need until the demands of the first have been satisfied"
(http://www.connect.net/georgen/maslow.htm). Music has always played an
important role in discovering and enhancing what is important in the latter
three. What is surprising given this line of thought is that music and
other fine arts are not given far greater attention and support. One must
then in turn ask if reducing music and other fine arts instruction does
not work against our public education system's ability to graduate the
best kind of human beings. Based on this reasoning, I find that music may
not be essential to survival in its lowest sense, but music is a major
contributor to the survival of those higher elements of our humanity.
2. The right music education
So, assuming that music is valuable to humanity, is the music education
in the curriculum the right education to draw out the character of being
that is sought? Here I am less certain of my conclusions. Music, in the
experience of own my children, has been taught primarily if not exclusively
as a performance art. Reaching for the most of what humans are capable
would appear to require something more creative than interpretation. What
if reading never extended to writing, but was left with a creativity that
ended with creative oral reading? I conclude that our current music education
is not the right one, especially in a digital age in which the opportunity
for creating musical expression is so vast.
[The reader will have to fill in the remainder of this essay and come to their own conclusion.]